born 1959, Brisbane, Australia
lives and works in Sydney, Australia

EDUCATION
1996
MFA, Honors Class 1, College of Fine Arts, University of New South Wales, Australia

1991
Post Graduate Diploma, Sydney College of the Arts, University of Sydney, Australia

1982
Diploma of Art, Tasmanian School of Art, University of Tasmania, Hobart, Australia

1979
Diploma of Art Education, Brisbane College of Advanced Education, Queensland, Australia

SELECTED SOLO EXHIBITIONS
2022
Rosemary Laing: Prowse, deCordova Sculpture Park and Museum, Lincoln, Massachusetts
poems for recent times [online viewing room], Galerie Lelong & Co., New York

2020
skygound, CONRADS, Düsseldorf

2019
skyground, Tolarno Galleries, Melbourne
Rosemary Laing, Ten Cubed Collection, Melbourne

2018
Buddens, Tolarno Galleries, Melbourne

2017
Rosemary Laing, TarraWarra Museum of Art, Healesville, Victoria
The Paper, CONRADS, Düsseldorf

2016
effort + rush, Tolarno Galleries, Melbourne

2015
effort + rush, National Art School Gallery, Sydney weathering, Heide Museum of Modern Art, Melbourne transportation, Art Gallery of New South Wales, Sydney

2014
The Paper, Tolarno Galleries, Melbourne
The Paper, Galerie Lelong, New York
The Paper, Bundanon Homestead Gallery, Bundanon, New South Wales

2013
The Paper, Tolarno Galleries at Sydney Contemporary 13, Carriageworks, Sydney 2012
leak, Galerie Lelong, New York

2011
leak, CONRADS, Düsseldorf
leak, Tolarno Galleries, Melbourne

2010
a dozen useless actions for grieving blondes, CONRADS, Düsseldorf

2009
prostrate your horses: weather and then some, The University of Queensland Art Museum, Brisbane a dozen useless actions for grieving blondes, Galerie Lelong, New York
a dozen useless actions for grieving blondes, Tolarno Galleries, Melbourne

2008
to walk on a sea of salt, Contemporary Art Centre of South Australia, Adelaide

2007
weather, Filiale, Berlin, Germany
Rosemary Laing: Flight, Frist Center for the Visual Arts, Nashville, Tennessee weather, Galerie Lelong, New York
weather, Tolarno Galleries, Melbourne

2006
weather, CONRADS, Düsseldorf and Berlin

2005
to walk on a sea of salt, Tolarno Galleries, Melbourne
groundspeed, CONRADS, Düsseldorf
The Unquiet Landscapes of Rosemary Laing, Museum of Contemporary Art, Sydney; traveled to: Kunsthallen Brandts Klaedefabrik, Odense, Denmark (2006)
one dozen unnatural disasters in the Australian landscape: a collaboration with Stephen Birch, GrantPirrie Gallery, Sydney

2004
Rosemary Laing, Domus Artium 2002, Salamanca, Spain
one dozen unnatural disasters in the Australian landscape, CONRADS, Düsseldorf
one dozen unnatural disasters in the Australian landscape, Galerie Lelong, New York

2003
one dozen unnatural disasters in the Australian landscape, Gitte Weise Gallery, Sydney
Rosemary Laing: a survey 1995–2002, Brisbane City Gallery, Brisbane
bulletproofglass, CONRADS, Düsseldorf

2002
bulletproofglass, Galerie Lelong, New York bulletproofglass, Gitte Weise Gallery, Sydney

2001
groundspeed, Gitte Weise Gallery, Sydney

2000
gradience, Australian Centre for Photography, Sydney
flight research, Gitte Weise Gallery, Sydney

1999
aero-zone, National Museum of Art, Osaka; traveled to: Australian Centre for Contemporary Art, Melbourne; Perth Institute of Contemporary Art, Perth (2000)

1998
brownwork, Annandale Galleries, Sydney 1997
brownwork (within Envisioned), Monash University Gallery, Melbourne

1995
greenwork, International Terminal, Sydney (Kingsford Smith) Airport, Federal Airports Corporation, Sydney greenwork, Annandale Gallery, Sydney

1993
blow-out, Annandale Gallery, Sydney 1992
from Paradise work, Queensland Art Gallery, Brisbane

1991
from Paradise work, Experimental Art Foundation, Adelaide from Paradise work, 200 Gertrude Street, Melbourne

1990
from Paradise work, First Draft West, Sydney
from Paradise work, Photospace Gallery, Canberra Institute for the Arts, Canberra

1989
Natural Disasters, Milburn + Arte Gallery, Brisbane 1988
Natural Disasters, Artspace, Sydney

SELECTED GROUP EXHIBITIONS
2023
Urbanism, CONRADS, Berlin
COLOUR EFFECTS, Galerie Lelong, New York

2022
Beating About the Bush, The Art Galley of Ballarat, Ballarat
From Here, for Now, Art Gallery of New South Wales, Sydney
Perspectives: Recent Gifts of Contemporary Art, George Eastman Museum, Rochester, New York
The Prelude, Knulp, Sydney

2021
Reversible Destiny: Australian and Japanese Contemporary Photography, Tokyo Photographic Art Museum, Tokyo
Rhe: everything flows; Galerie Lelong & Co., New York
Wonder + Dread: Art in the Land of Weather Extremes, Shoalhaven Regional Gallery, Nowra

2020 This Mortal Coil, Zuckerman Museum of Art, Kennesaw State University, Georgia Know My Name: Australian Women Artists 1900 to now, National Gallery of Australia, Canberra, Australia (forthcoming) The Burning World, Bendigo Art Gallery, Victoria, Australia (forthcoming)

2019
Betaland, CONRADS, Düsseldorf
Civilisation: The Way We Live Now, National Gallery of Victoria, Melbourne
Higashikawa International Photography Festival, Higashikawa Bunka Gallery, Hokkaido
Paradise Lost, Museum Henriette Polak, Zutphen
The Moon, Geelong Gallery, Geelong
Marriage: Love and Law, Penrith Regional Gallery, New South Wales
Defining Place/Space: Contemporary Photography from Australia, Museum of Photographic Arts, San Diego Arboreal, Moss Arts Center, Virginia

2018
Cultural Landscapes, Casula Powerhouse Arts Centre, Casula, New South Wales

2017
Black Mist Burnt Country, Western Plains Cultural Centre, Dubbo, New South Wales
Wall Power: Contemporary Australian Photography, Direktorenhaus, Berlin
Black Mist Burnt Country, The Glasshouse Gallery, Port Macquarie, New South Wales
Tracks and Traces: Contemporary Australian Art, The Negev Museum of Art, Be’er Sheva, Israel Australian Collection, Queensland Art Gallery of Modern Art, Brisbane
[AN-]SICHTEN Vom Umgang mit der Wirklichkeit, DZ Bank Collection, Frankfurt Wall Power: Contemporary Australian Photography, Haus der Stiftungen, Cologne
Re-Thinking Australian Art, Art Gallery of South Australia, Adelaide @50, Tolarno Galleries, Melbourne
Black Mist Burnt Country, Pinnacles Gallery, Townsville, Queensland In Friction with Fiction, Galerie Conrads, Dusseldorf
Black Mist Burnt Country, Gold Coast City Gallery, Surfers Paradise, Queensland PLAY, 21st Century Museum of Contemporary Art, Kanazawa, Japan
The Dust Never Settles, University of Queensland Art Museum, Brisbane FRESHWATER, Shepparton Art Museum, Victoria
Versus Rodin: Bodies Across Space and Time, Art Gallery of South Australia, Adelaide Collective Vision: 130 Years, Bendigo Art Gallery, Victoria
Anguish, Institute of Contemporary Art (Maine College of Art), Portland, Maine
Black Mist Burnt Country, Swan Hill Regional Gallery, Victoria

2016
Black Mist Burnt Country, Art Gallery of Ballarat, Victoria
Black Mist Burnt Country, SH Ervin Gallery, Sydney.
beyond the Tower: UQ Art Museum – 40 years and counting, University of Queensland Art Museum, Brisbane unterwegs – on journeys, Galerie Conrads, Dusseldorf
Australian exotica, Monash Gallery of Art, Wheelers Hill, Victoria
Tempest, Tasmanian Museum & Art Gallery, Hobart
Luminous World: Contemporary Art from the Wesfarmers Collection, National Art School Gallery, Sydney

2015
About Trees, Zentrum Paul Klee, Berne, Switzerland
Face to Face: Füssli, Böcklin, Rondinone and Others, Kunstmuseum Luzern, Switzerland
The Photograph and Australia, Art Gallery of New South Wales, Sydney
Luminous World: Contemporary Art from the Wesfarmers Collection, Ian Potter Museum of Art, Melbourne Loud! Art Gallery of New South Wales, Sydney
Highlights from the MGA Collection, Monash Gallery of Art, Wheelers Hill, Victoria

2014
Remain in Light: Photography from the MCA Collections; travelled to: Ipswich Art Gallery, Queensland; Western Plains Cultural Centre, New South Wales; Maitland Regional Art Gallery, New South Wales; Bendigo Art Gallery, Victoria (2015); Artspace Mackay, Queensland (2015); Hawkesbury Regional Gallery, New South Wales (2015)
Blütezeit, DZ Bank Kunstsammlung, Frankfurt am Main, Germany
Journey to Fantastic Lands, Queensland Art Gallery of Modern Art, Brisbane
Dark Heart: 2014 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide

2013
Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Art Gallery, Queensland Summer Exposure, Galerie Lelong, New York
Australia: Land and Landscape, Royal Academy of Arts, London, UK
DistURBANces, Musée national d’histoire et d’art, Luxembourg
Luminous World: Contemporary Art from the Wesfarmers Collection, Charles Darwin University, Darwin
The Roving Eye: Aura and the Contemporary Portrait, Oakland University Art Gallery, Rochester, Michigan

2012
Confounding: Contemporary Photography, National Gallery of Victoria, Melbourne
Die Engel von Klee, Zentrum Paul Klee, Bern, Switzerland
Luminous World: Contemporary Art from the Wesfarmers Collection, Art Gallery of Western Australia, Perth
Return to Sender, The University of Queensland Art Museum, Brisbane
Un-acclimatised, Switchback Gallery, Monash University Museum of Art, Churchill, Victoria
Animal/Human, The University of Queensland Art Museum, Brisbane
Parallel Collisions: 12th Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide
NEW 2011: Selected Recent Acquisitions, The University of Queensland Art Museum, Brisbane
Dissonant Visions, Monash University Museum of Art, Melbourne
Volume One: MCA Collection, Museum of Contemporary Art, Sydney
Lightness and Gravity: Contemporary Works from the Collection, Queensland Art Gallery: Gallery of Modern Art, Brisbane

2011
Hängung #7: Art of Australia. Traditional and Contemporary, Kunstwerk, Eberdingen-Nussdorf, Germany Arboreal, Macquarie University Art Gallery, Macquarie University, North Ryde, New South Wales
Double Vision, McClelland Gallery + Sculpture Park, Langwarrin, Victoria
Boundary Line, TarraWarra Museum of Art, Healesville, Victoria
Collaborative Witness: Artists’ Responses to the Plight of the Asylum Seeker and Refugee, The University Queensland Art Museum, Brisbane
Interventions in the Landscape, Galerie Lelong, New York
Esk Collection 2001–2011: Collecting Australian Contemporary Art, Academy Gallery, School of Visual and Performing Art, University of Tasmania, Launceston, Tasmania
New Contemporary Galleries: Featuring the John Kaldor Family Collection, Art Gallery of New South Wales, Sydney Small Fires, Sint-Lukasgalerie Brussels, Brussels
Photography and Place: Australian landscape photography 1970s until now, Art Gallery of New South Wales, Sydney

2010
LoveArt, Casula Powerhouse Arts Centre, Casula, New South Wales
Stormy Weather: Contemporary Landscape Photography, The Ian Potter Centre, National Gallery of Victoria, Melbourne; traveled to: Swan Hill Regional Art Gallery, Victoria (2011–12); Wangaratta Art Gallery, Victoria (2012)
Change, Monash University Museum of Art, Melbourne
Outside In, McClelland Gallery and Sculpture Park, Langwarrin, Victoria
Anguish, Downtown Gallery, Memphis College of Art, Memphis, Tennessee
Timelines: Photography and Time, National Gallery of Victoria, Melbourne
Be a Star, Play a Model, Cultural Institution, Knokke, Belgium
Reference and Affinity: Art of the 21st Century from the Collection, Kunstmuseum Luzern, Lucerne

2009
12 Degrees of Latitude: Regional and University Art Collections in Queensland, QUT Art Museum, Queensland University of Technology, Brisbane
Almanac: The Gift of Ann Lewis AO, Museum of Contemporary Art, Sydney; traveled to: Goulburn Regional Gallery (2011),
ANU Drill Hall Gallery (2011), Wollongong City Gallery (2011), Shepparton Art Gallery (2011), New England Regional Art Museum (2011), Wagga Wagga Art Gallery (2012), Tweed River Art Gallery (2012), Newcastle Regional Art Gallery (2012) Les nuages . . . là-bas . . . les merveilleux nuages! Autour des études de ciel d’Eugène Boudin, Hommages et digressions (Clouds . . . over there . . . marvellous clouds! Around Eugene Boudin’s studies of the sky: tributes and digressions), Musée Malraux, Le Havre, France
Queensland Art, Pestorius Sweeney House, Hamilton, Queensland
Varios Artistas: Tiempo Suspendido, Domus Artium 2002 Salamanca, Salamanca, Spain
The Edge of Reason: Australian Women Photographers, Bendigo, Victoria Art Gallery, Bendigo, Victoria
Light Sensitive Material: Works from the Verghis Collection, Bathurst Regional Art Gallery, Bathurst, New South Wales Manipulating Reality: How Images Redefine the World, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence
Curating the COFA Collection, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney Collecting Lines: Selected Works from the Geoff and Vicki Ainsworth Collection, Maitland Regional Art Gallery, Maitland, New South Wales
Reframing Darwin: Evolution and Art in Australia, Ian Potter Museum of Art, University of Melbourne, Melbourne
Silence: A Selection of Works from the Collection, Kunstmuseum Luzern, Lucerne
Other Worlds, Confederation Centre Art Gallery, Charlottetown, Prince Edward Island, Canada
Remote Proximity: >Nature< In Contemporary Art/ Ferne Nähe: >Natur< in der Kunst der Gegenwart. Kunstmuseum Bonn, Bonn
Trouble in Paradise: Examining Discord Between Nature and Society, Tucson Museum of Art, Tucson, Arizona

2008
Primary Views, Monash University Museum of Art, Melbourne
New: selected recent acquisitions 2007–2008, The University of Queensland Art Museum, St. Lucia, Queensland Surreale 08, Mimmo Scognamiglio Artecontemporanea, Milan
neo goth: back in black, The University of Queensland Art Museum, St. Lucia, Queensland
Holding on, letting go, Monash Gallery of Art, Wheelers Hill, Victoria
Revolutions–Forms That Turn: 16th Biennale of Sydney, Museum of Contemporary Art, Sydney
FX in Contemporary Photography, McClelland Gallery and Sculpture Park, Langwarrin, Victoria
Depth of field: contemporary photography from The University of Queensland Art Collection, The University of Queensland Art Museum, Queensland

2007
Garden of Eden: The Garden in Art Since 1900, Kunsthalle Emden, Emden, Germany
Lives and Times: A Selection of Works from the Victorian Foundation for Living Australian Artists, National Gallery of Victoria; traveled to: Regional Australian Galleries (2007–08)
Janus. Photography’s Double Face, Museo Nacional Centro de Arte Reina Sofia, Madrid
Think with the Senses, Feel with the Mind: Art in the Present Tense–52nd International Art Exhibition, Venice
Biennale
New Nature, Govett Brewster Art Gallery, Taranaki, New Zealand
June Bride, Yossi Milo Gallery, New York
Grey Water, Institute Modern Art, Brisbane
The BIG Picture, North Carolina Museum of Art, Raleigh, North Carolina

2006
Prism: Contemporary Australian Art, Bridgestone Museum of Art, Tokyo
Art, Life and Confusion: 47th October Salon, Belgrade Cultural Centre, Belgrade
Scary Tales, Filiale, Berlin
Dresscode, Historisches + Völkerkundemuseum, St. Gallen, Switzerland
The Genius of Place, Museum of Western Virginia, Roanoke, Virginia
Shifting Terrain: Contemporary Landscape Photography, Wadsworth Atheneum, Hartford, Connecticut
Mite! Okayama Prefectural Museum of Art, Okayama, Japan
Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle, New South Wales; traveled to Broken Hill City Art Gallery (2007); Bendigo Art Gallery (2007); Orange Regional Gallery (2007); Wagga Wagga Art Gallery (2007); Tweed River Regional Gallery (2007); and Ipswich Art Gallery (2008)
Artbank: Celebrating 25 Years of Australian Art, Artbank, Sydney; traveled to: Redland Art Gallery, Queensland; Carnegie Gallery, Tasmania; Latrobe Regional Gallery, Victoria; Artspace Mackay, Queensland; Perc Tucker Regional Gallery, Queensland (2006–07); New England Regional Art Museum, New South Wales (2007); Bathurst Regional Art Gallery, New South Wales (2007); Cairns Regional Art Gallery, Queensland (2007); Noosa Regional Gallery, Queensland (2007); Geelong Gallery, Victoria (2007–08)
Decade Acquisitions 1996–2006, Bendigo Regional Art Gallery, Bendigo, Victoria

2005
The Forest: Politics, Poetics and Practice, Nasher Museum of Art, Duke University, Durham, North Carolina Points of View: Australian Photography 1985–95, Art Gallery of New South Wales, Sydney
Beyond Real. Part 2: Making A Scene, Australian Centre of Photography, Sydney
Time’s Arrow, Twelve Random Thoughts on Beauty, Rotunda Gallery BRIC, Brooklyn
a kind of magic: The Art of Transforming, Kunstmuseum Luzern, Lucerne
Points of View: Landscape and Photography, Galerie Lelong, New York
Out There: Landscape in the New Millennium, Museum of Contemporary Art Cleveland (MOCA), Cleveland, Ohio Picturing the Landscape, Deloitte Touche Tohmatsu, Grosvenor Place Building, Sydney
Art Almanac: Cover Stories 269, Sir Hermann Black Gallery, University of Sydney, Sydney
After Nature, Lake Macquarie City Art Gallery, Lake Macquarie, New South Wales

2004
Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney The Nature Machine: Contemporary Art, Nature and Technology, Queensland Art Gallery, Brisbane
Apparemment Léger: Semaines Européennes de L’Image (Apparently Light), Galerie Nei Liicht, Dudelange, Luxembourg Femina, Galerie Les Filles du Calvaire, Paris; traveled to: Galerie Les Filles du Calvaire, Brussels,
Clouded Over, Lawrence Wilson Art Gallery, University of Western Australia, Perth
2004: Australian Culture Now, National Gallery of Victoria, Melbourne
Adrift, Queensland Centre for Photography, Brisbane
Penumbra: Images of darkness and light, McClelland Gallery + Sculpture Park, Langwarrin, Victoria Flock and Fable: Animals and Identity in Contemporary Art, Chelsea Art Museum, New York
2004 Busan Biennale: Chasm–NET, “Point of Contact,” Busan Metropolitan Art Museum, Busan, Korea
More Easily Imagined, Crossings of the Blue Mountains, Bathurst Regional Art Gallery, Bathurst, New South Wales
Breathtaking, Art Institute of Boston, Main Gallery, Lesley University, Boston
Arquitecturas Urbanas, Centro Municipal de las Artes de Alcorcón, Madrid, and Centro Nacional de Fotografía Torrelavega, Santander, Spain
Paisaje & Memoria / Landscape & Memory, La Casa Encendida, Madrid
Rendezvous mit Gittet: Volume 4, Gitte Weise Gallery, Sydney
Living together is easy, Art Tower Mito, Tokyo, Japan; traveled to National Gallery of Victoria, Melbourne
Adelaide Biennial of Australian Art: Contemporary Photomedia, Art Gallery of South Australia, Adelaide

2003
Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, North Carolina
L’attimo fuggente fra fotografia e cinema (The Fleeting Moment Between Photography And Cinema), Pinacoteca Giovanni e Marella Agnelli, Turin, and Museo Nazionale del Cinema of Turin
Face Up: Contemporary Art from Australia, Nationalgalerie im Hamburger Bahnhof, Museum for the Present, Berlin Hothouse: The flower in contemporary art, Monash University Museum of Art, Melbourne; traveled to: State Library of Victoria; Ballarat Fine Art Gallery; McCelland Gallery and Sculpture Park, Langwarrin, Victoria; Geelong Art Gallery; National Library of Australia, Canberra; Gippsland Art Gallery, Victoria; Keith Murdoch Gallery, Melbourne
Nature and Nation: Vaster than Empires, Hastings Museum and Art Gallery, Hastings, U.K.; traveled to: Worcester City Museum and Art Gallery, Worcester, U.K.; Yard Gallery, Wollaton Park, Nottingham, U.K.; Lethaby Gallery, Central Saint Martins College of Art and Design, London
Himmelschwer. Transformationen der Schwerkraft, Landesmuseum Joanneum, Kulturzentrum bei den Minoriten, Graz, Austria: traveled as Himmel Falden to: Kunsthallen Brandts Klædefabrik, Odense, Denmark
Rendezvous mit Gitte volume 3, Gitte Weise Gallery, Sydney
Picturing Paradise, Mori Gallery, Sydney

2002
2002: The Year in Art, S.H. Ervin Gallery, Sydney
out of the dark, Adelaide Perry Gallery, Presbyterian Ladies College, Sydney
A Silver Lining & A New Beginning, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney Tales of the Unexpected, National Gallery of Australia, Canberra
10th Anniversary Exhibition, Gitte Weise Gallery, Sydney
Sahte / Gerçek (Faux / Real), Borusan Art Gallery, Istanbul
Gold Coast Ulrick Schubert Photographic Art Award, Gold Coast City Gallery, Surfers Paradise, Queensland

2001
Staged!, Worcester Art Museum, Worcester, Massachusetts
Stellar: Contemporary Art Auction, Centre for Contemporary Photography, Melbourne
Shoot, Gold Coast City Gallery, Surfers Paradise, Queensland; traveled to: Carneigie Gallery, Hobart; Coffs Harbour Regional Art Gallery, New South Wales; Caloundra Regional Art Gallery, Queensland
A Century of Collecting 1901–2001, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney Rendezvous mit Gitte, Gitte Weise Gallery, Sydney
low-down, Monash University Gallery, Melbourne

2000
art at work: Photography and Moving Image, International Terminal, Sydney (Kingsford Smith) Airport, Sydney Zeitgenössische Fotokunst aus Australien (Contemporary Photographic Art from Australia), Neuer Berliner Kunstverein, Berlin; traveled to: Museum Schloß Hardenberg, Velbert, Germany; Kunstsammlungen, Chemnitz, Germany; Kulturzentrum der Stadt, Stuttgart, Germany; Monash University Museum of Art, Melbourne as Lightness of Being (2001)
Mjesto Na Kojem Nisam Bio / A Place I’ve Never Been To, Umjetniˇcki Paviljon, Zagreb, Croatia
Images of Women by Women, Monash Gallery of Art, Wheelers Hill, Victoria
Sporting Life, Museum of Contemporary Art, Sydney
Body Language, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney
Das Lied von der Erde / The Song of the Earth, Museum Fridericianum, Kassel, Germany

1999
Moral Hallucination: Channeling Hitchcock, Museum of Contemporary Art, Sydney
Something for above the couch, Gitte Weise Gallery, Sydney
National Photographic Purchase Award, Albury Regional Gallery, Albury, New South Wales Contempora 5, Ian Potter Museum of Art in association with National Gallery of Victoria, Melbourne Natural Disasters / Disasters Unnatural, Monash University Gallery, Melbourne
Passion for Wings, National Aviation Museum, Ottawa

1998
The Seppelt Contemporary Art Award, Museum of Contemporary Art, Sydney
Blue, Annandale Galleries, Sydney
After the Masters, 1993–1997 selected work, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney

1997
Sex-tet, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney Fascination Street, Michael Milburn Gallery, Brisbane

1996
RUN, Michael Milburn Gallery, Brisbane
florescence, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney; traveled to: Newcastle Region Art Gallery, Newcastle (1997); Campbelltown City Art Gallery, Campbelltown (1997); Tammworth City Art Gallery, Tammworth (1997)
Koncept, International Exhibition of Contemporary Photography, Umjetniˇcki Paviljon and Galerija Gradska, Zagreb, Croatia Digital Gardens: A World in Mutation, Power Plant, Toronto
Beyond the Sublime, Australian Centre for Photography, Sydney
Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney
Perception and Perspective, Next Wave Festival, National Gallery of Victoria, Melbourne
View of the New, National Gallery of Australia, Canberra

1995
New Orientation: The Vision of Art in a Paradoxical World, 4th Istanbul Biennialà—International Exhibition of Contemporary Art, Antrepo, Istanbul
Australian Contemporary Photography: From the Moet & Chandon Art Acquisition Fund, Art Gallery of Western Australia, Perth
The Artists Garden, Gallery 7, National Gallery of Australia, Canberra
Decadence: 10 Years of Exhibition at 200 Gertrude Street, 200 Gertrude Street, Melbourne
Alternative Realities: Australian artists working with technology, University of Science and Technology, Hong Kong; traveled to: Ian Potter Gallery, University of Melbourne Museum of Art, Melbourne; Zhu Qizhan Gallery, Shanghai; Wang Fun Art Gallery, Beijing; Gallery Artbeam, Seoul, Korea; Pacific Cultural Centre, Taipei, Taiwan (1996); Tamsui Centre of Art, Tamsui, Taiwan (1996); Mountain Art Gallery, Kaohsiung, Taiwan (1996); Karnataka Chitrakala Parishath Gallery, Bangalore, India (1996); Government Museum and Art Gallery, Chandigarh, India (1996)
Birds Eye View, New Media Network, Melbourne
Girls! Girls! Girls!, Orange Regional Art Gallery, Orange & Annandale Gallery, Sydney
Interlude, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney

1994
E-Topia, New Media Network, Melbourne
Don’t Stop, Geelong Regional Art Gallery, Geelong, Victoria Horizons, Annandale Gallery, Sydney
Media Lounge International Symposium for Electronic Arts, Helsinki Don’t Stop, Linden Gallery, Melbourne

1993
Perspecta, Art Gallery of New South Wales, Sydney
Benefactors Exhibition, Art Gallery of New South Wales, Sydney
Virtu, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney
March, Michael Milburn Gallery, Brisbane
Looking at Seeing and Reading, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney

1992
Strangers in Paradise: Contemporary Australian Art to Korea, National Museum of Contemporary Art, Seoul; traveled to: Art Gallery of New South Wales, Sydney (1993)
Manu et Mente, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney
but never by chance, Experimental Art Foundation, Adelaide; traveled to: Canberra College of Art Gallery, Canberra Institute for the Arts, Canberra; Museum of Contemporary Art, Sydney; Institute of Modern Art, Brisbane; Ian Potter Gallery, University of Melbourne (1993)

1991
First Draft West 1985–1991, First Draft West, Sydney
Industry, First Draft West, Sydney
Over East, Lawrence Wilson Art Gallery, University of Western Australia, Perth

1990
Amore, Artspace, Sydney
10 x 10, Milburn + Arte, Brisbane
Real Art, Institute of Modern Art, Brisbane

PUBLIC COLLECTIONS
Albury Regional Gallery, New South Wales, Australia
ARCO Foundation, Madrid, Spain
Artbank, Sydney, Australia
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of South Australia, Adelaide, Australia
Art Gallery of Western Australia, Perth, Australia
AXA Collection, Luxembourg
The Art Institute of Chicago, Chicago, USA
Art Museum of Western Virginia, Roanoke, Virginia, USA
Bendigo Art Gallery, Victoria, Australia
Buschlen Mowatt Foundation, Vancouver, Canada
Chun Kwang Young Foundation
Domus Artium 2002, Salamanca, Spain
Fonds national d’art contemporain, Puteaux, France
Foundation Belgacom, Brussels, Belgium
Gippsland Art Gallery, Victoria, Australia
Griffith University Collection, Brisbane, Australia
Harvard Art Museum, Cambridge, Massachusetts, USA
Kunstmuseum Luzern, Lucerne, Swiss
Lyon Housemuseum, Melbourne, Australia
McClelland Gallery and Sculpture Park, Langwarrin, Victoria, Australia
Modern Art Museum of Fort Worth, Texas, USA
Monash Gallery of Art, Wheelers Hill, Victoria, Australia
Monash University Museum of Art, Caulfield East, Victoria
Murdoch University Art Collection, Perth, Australia
Museo de Arte Contemporáneo de Castilla y León, León, Spain
Museo Nacional Centro De Arte Reina Sofia, Madrid, Spain
Museum of Contemporary Art, Sydney, Australia
National Gallery of Australia, Canberra, Australia
National Gallery of Victoria, Melbourne, Australia
National Museum of Women in the Arts, Washington, D.C., USA
Nevada Museum of Art, Reno, USA
Newcastle Regional Art Gallery, New South Wales, Australia
North Carolina Museum of Art, Raleigh, USA
Norton Family Foundation, Santa Monica, USA
Parliament House Art Collection, Canberra
Queensland Art Gallery, Brisbane, Australia
21st Century Museum of Contemporary Art, Kanazawa, Japan
The University of Queensland Art Museum, Brisbane, Australia
University of Canberra Collection, Canberra, Australia
University of Technology Collection, Sydney, Australia
Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA
William Benton Museum of Art, University of Connecticut, Storrs

SELECTED COMMISSIONED PROJECTS
2005
bulletproofglass #2, architectural light box, Deutsche Bank, Sydney

2002
flight research #5, billboard, Socrates Sculpture Park, New York
flight research #4, billboard, Yarra’s Edge Urban Art program, Mirvac, Melbourne

2000
airport #3 stART, Museum of Contemporary Art, Sydney
“The Game.” Visionaire, no. 30 (January 2000)
flight research #5 and brownwork #9, light boxes, Sydney Airport Corporation, Sydney

SELECTED PUBLICATION REFERENCES
2022
Peterson, Tanya. “Balancing Acts”. In poems for recent times. Exh. cat. [Online viewing room]. New York: Galerie Lelong & Co., 2022. https://www.galerielelong.com/viewing-room/rosemary-laing.
Ewing, William A., and Danaé Panchaud. Flora Photographica: Masterworks of Contemporary Floral Photography. London: Thames & Hudson, 2022.

2021
Thompson, Cynthia Nourse and Sorkin, Jenni. Weighted with Sorrow. Exh. cat. Zuckerman Museum of Art, Kennesaw, Georgia.
King, Natalie, and Yamada Yuri (eds.). Reversible Destiny: Australian and Japanese Contemporary Photography. Exh. cat. Tokyo: Tokyo Photographic Art Museum, 2021.
Allen, Christopher. “At the Mercy of the Elements”. The Weekend Australian (January 16-17, 2021).
Radford, Lisa (ed.). The Image is Not Nothing (Concrete Archives). Exh. cat. Adelaide: Ace Open and Person Books, 2021.
Jolly, Martyn, and Daniel Palmer. Installation View: Photography Exhibitions in Australia (1848 – 2020). Melbourne: Perimeter Editions, 2021.
Karvelas, Patricia. “Rosemary Laing is composing poems for recent times.” The Drawing Room, ABC Radio National, (October 14, 2021).
Marsh, Anne. Doing Feminism: Women’s Art and Feminist Criticism in Australia. Melbourne: Melbourne University Press, 2021.

2020
Moshinsky, Robyn, and Raik-Allen Georgie (eds.). “Rosemary Laing.” In 2010-2020 Ten Cubed: Concept. Collection. Gallery”. Real Film and Publishing for Ten Cubed, 2020.
Lynn, Victoria. “Rosemary Laing.” In Know My Name, edited by Natasha Bullock, Kelli Cole, Deborah Hart and Elspeth Pitt. Exh. cat. National Gallery of Australia, 2020.
Miller, Sally. “Rosemary Laing: ‘welcome to Australia’.” In Contemporary Photography and Theory: Concepts and Debates. Bloomsbury, 2020.
Peterson, Tanya. “Rosemary Laing: skyground.” In düsseldorf photo+: 13.3.-8.5.2020, edited by Erhard, Christine, Rupert Pfab, Thomas W. Rieger, Carl Friederich Schröer and Pola Sieverding. Exh. cat. Düsseldorf: düsseldorf photo+, 2020.
Ballard, Susan and Christine Eriksen. Alliances in the Anthropocene: Fire, Plants and People, Palgrave Macmillan, 2020.
Beaumont, Julian. “Rosemary Laing.” In The Australian Club Collection, Sydney: The Beagle Press, 2020.

2019
Buck, Stephanie. “florals dekor – blumen als ornament (floral décor – flowers as ornament)” in aufgebluht & abgelichtet: Blumen in der Fotografie (blown up and down: Flowers in Photography), edited by Barbara Doer, Anja Gerdemann and Barbara Martin. Exh. cat. Waiblingen: Galerie Stihl, 2019.
McKay, Peter. “Rosemary Laing”. Artlines, iss. 4 (2019).
Peterson, Tanya. “Grey Speed.” In skyground. Exh. cat. Melbourne: Tolarno Galleries, 2019.
Ueno, Osamu. “Rosemary Laing.” In Town of Photography’ 35th Higashikawa Awards. Exh. cat. Hokkaido: Higashikawa Bunka Gallery, 2019.

2018
Annear, Judy. “Rosemary Laing: Buddens.” Galleries Now (April 2018). https://www.galleriesnow.net/shows/rosemary-laing-buddens/
Cohen Israel, Nancy. “A Decade of Art: Dallas Art Fair’s Milestone Edition.” Patron (April/May 2018). Lynn, Victoria. “Co-belonging with the landscape.” Photofile, no. 100 (January 2018).

2017
Annear, Judy. “No people, but Laing’s photographs of landscape far from empty.” The Australian (November 29, 2017). Lynn, Victoria. Rosemary Laing. Exh. cat. Healesville: TarraWarra Museum of Art, 2017.
Rolfe, Emily. Tracks and Traces: Contemporary Australian Art. Exh. cat. Be’er Sheva, Israel: Negev Museum of Art, 2017. Annear, Judy. Buddens. Exh. cat. Melbourne: Tolarno Galleries, 2017.
Australian Broadcasting Corporation. “Hannah Gadsby’s Nude”, presented and written by Hannah Gadsby and Brendan Fletcher, 2017.
Cochran, Rebecca Dimling (ed.). Homeward: Selections from the Wieland Collection. Atlanta: The wareHOUSE, 2017.

2016
Abrahams, Guy, Kelly Gellatly and Bronwyn Johnson (eds.). Art + Climate = Change. Melbourne: Melbourne University Press, 2016.
Bullock, Natasha (ed.). MCA Collection Handbook. Sydney: Museum of Contemporary Art, 2016.
Engberg, Juliana. Tempest: a journey log. Exh. cat. Hobart: Tasmanian Museum and Art Gallery, 2016.
Mittman, Jan Dirk. Black Mist Burnt Country. Exh. cat. Upwey, Victoria: Burrinja (Dandenong Ranges) Cultural Centre, 2016. Tello, Veronica. Counter-Memorial Aesthetics: Refugee Histories and the Politics of Contemporary Art. London: Bloomsbury, 2016.

2015
Annear, Judy. The Photograph and Australia, Art Gallery of New South Wales, Sydney, 2015. Fischer, Peter and Burgi, Brigitt (eds.). About Trees, Exh. cat. Berne: Zentrum Paul Klee, 2015.
Cramer, Sue, Rosemary Laing: weathering, Exh. cat. Melbourne: Heide Museum of Modern Art, 2015. http://www.heide.com.au/exhibitions/now-showing/exhibition/rosemary-laing-weathering/edate/2015-02-21/eid/756 McDonald, John. “Pictures reveal a history of us.” Sydney Morning Herald (March 28-29 2015).
Giacomelli, Adrian, Die Idee Der Landschaft, Exh. cat. Frankfurt am Main: DZ Bank Kunstsammlung, 2015. Rosemary Laing: effort and rush, Exh. cat. Sydney: National Art School Gallery, 2015.
Kent, Rachel. “Rosemary Laing: effort + rush.” ArtAsia Pacific, no. 96 (November/December 2015).
Clement, Tracey. “Rosemary Laing.” Art Guide Australia (August 19, 2015). http://artguide.com.au/articles-page/show/rosemary-laing-3
Wolff, Sharne. “Rosemary Laing: contemporary photography.” The Art Life (August 24 2015). http://theartlife.com.au/2015/effort-rush/
Saxby, John, ed. “Rosemary Laing: The art that made me.” Look (July 2015).
Weiland, Florian. “Skulpturen der Natur (Sculptures of Nature)”, Artline (November 17 2015).

2014
Lee, Chonja and Schestag, Thomas, Blütezeit, Exh. cat. Frankfurt am Main: DZ Bank Kunstsammlung, 2014.
Barkley, Glenn, Remain in Light: Photography from the MCA Collections, Exh. cat. Sydney: Museum of Contemporary Art, 2014.
McCaughey, Patrick, Strange Country: Why Australian Painting Matters, Melbourne: Melbourne University Press, 2014. Australian Broadcasting Corporation, “Hannah Gadsby’s Oz”, presented and written by Hannah Gadsby (Dir & Co-writer: Matthew Bate), Episode 3, 2013.
Mitzevich, Nick. Dark Heart: 2014 Adelaide Biennial of Australian Art, Exh. cat., Adelaide: Art Gallery of South Australia, 2014.
Nelson, Robert. “Bush consumed by pulp affliction in Rosemary Laing exhibition at Tolarno Galleries.” The Age (April 30, 2014).
“Rosemary Laing: The Paper”, Monocle, http://monocle.com/monocolumn/20144/weekend-agenda-26-27-april/ 2014. Alexander, George. Rosemary Laing: The Paper. Exh. cat. Melbourne: Tolarno Galleries, 2014, http://archive.tolarnogalleries.com/archive/Rosemary%20Laing%20The%20Paper%202014/

2013
di Felice, Paul and Stiwer, Pierre (eds.). Mois Européen de la Photographie, Exh. cat. Luxembourg: Café Crème asbl, 2013. Warnes, Diana, Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Exh. cat. Rockhampton: Rockhampton Art Gallery, 2013.
Tello, Veronica, “The Aesthetics of Counter-Memory: Contemporary Art and Australian Refugee Histories After Tampa”, PhD Thesis, The University of Melbourne, 2013.
Gray, Anne, Radford, Ron and Soriano, Kathleen (eds.). Australia, Exh. cat. London: Royal Academy of Arts, 2013. Australian Broadcasting Corporation, BBC, “The Art of Australia” presented by Edmund Capon (Dir: Louise Turley, Tim Lambert), Episode 3, 2013.
Goody, Dick. The Roving Eye: Aura and the Contemporary Portrait. Exh. cat. Rochester, Michigan: Oakland University Art Gallery, 2013.

2012
Bennetts-Cash, Catherine. Un-acclimatised. Exh. cat. Melbourne: Switchback Gallery, Monash University, 2012. Bullock, Natasha, and Alexie Glass-Kantor (eds.). Parallel Collisions: 12th Adelaide Biennial of Australian Art. Exh. cat. Adelaide: Art Gallery of South Australia, 2012.
—. “Parallel Collisions: 2012 Adelaide Biennial of Australian Art Curators Alexie Glass-Kantor and Natasha Bullock”, Broadsheet, 41, no. 1 (2012).
Helmrich, Michele (ed.). Return to Sender. Exh. cat. Brisbane: The University of Queensland Art Museum, 2012. Jorgensen, Darren. “Bigger is beautiful… usually”. The Weekend West (November 10-11, 2012).
Littley, Samantha. “Rosemary Laing: The Moving Image.” In New Volume 2: Selected Recent Acquisitions 2009-2011. Exh. cat. Brisbane: The University of Queensland Art Museum, 2012.
Solomon-Godeau, Abigail. Rosemary Laing. New York: Prestel; Sydney: Piper Press, 2012.
Somerville, Jane. “Parallel Collisions.” Artforum.com Critics’ Picks, (April 2012). http://artforum.com/index.php?pn=picks&id=30705&view=print
Webb, Vivienne. “Exploring place.” In Volume One: MCA Collection, edited by Ewen McDonald. Exh. cat. Sydney: Museum of Contemporary Art, 2012.
Watson, Bronwyn. “Public Works”. The Weekend Australian (October 20–21, 2012).

2011
Ahrens, Prue, and Michele Helmrich. Asylum: Waiting for Asylum. Figures from an Archive / Collaborative Witness: Artists’ Responses to the Plight of the Asylum Seeker and Refugee. Exh. cat. Brisbane: University Queensland Art Museum, 2011. Anderson, Jaynie (ed.). “Photography and Australia”. In The Cambridge Companion to Australian Art. New York: Cambridge University Press, 2011.
Allen, Christopher. “In The Frame.” Review. The Weekend Australian (April 30–May 1, 2011).
Annear, Judy. Photography and Place. Australian Landscape Photography: 1970s Until Now. Exh. cat. Sydney: Art Gallery of New South Wales, 2011.
Broadfoot, Keith. “The Australian Tableau.” Eyeline, no. 75 (Summer, 2011–2012).
—, and Rex Butler. Rosemary Laing: leak. Exh. cat. Mebourne: Tolarno Galleries, 2011. http://www.archive.tolarnogalleries.com/archive/Rosemary%20Laing%20leak%202011/.
Geczy, Adam. “Photography and Place. Australian Landscape Photography: 1970s until now.” Art Monthly, no. 240 (June 2011).
Images: The Collection Catalogue. 21st Century Museum of Contemporary Art. Ishikawa: 21st Century Museum of Contemporary Art, Kanazawa, 2011.
Nelson, Robert. “World Turned Upside Down.” The Age (March 2, 2011).
Wake, Caroline. “The Victim Seen and Seeing.” Realtime (September 6, 2011). http://www.realtimearts.net/article/105/10416.

2010
Allen, Christopher. “Are You Experienced?” Review. The Weekend Australian (June 5–6, 2010).
Barlow, Geraldine, Max Delany, and Kyla McFarlane (eds.). Change: Monash University Museum of Art. Exh. cat. Melbourne: Monash University Museum of Art, 2010.
Crombie, Isobel. “Timelines (II).” In Timelines: Photography and Time. Exh. cat. Melbourne: National Gallery of Victoria, 2010.
Marsh, Anne. Look: Contemporary Australian Photography since 1980. Melbourne: Macmillan Art Publishing, 2010.
Meister, Helga. “Schmerz, der aus allen Poren dringt. Rosemary Laing widmet sich dem Leid der Menschen.” Westdeutsche Zeitung (January 22, 2010).
North Carolina Museum of Art: Handbook of the Collections. Raleigh, N.C.: North Carolina Museum of Art, 2010.
Pia, Laura. “a dozen useless actions for grieving blondes: A New Series of Works by Rosemary Laing.” Look (May 2010). Thompson, Cynthia. Anguish. Exh. cat. Memphis, Tenn.: Downtown Gallery, Memphis College of Art, 2010.

2009
Adolphs, Volker. Ferne Nähe: >Natur< in der Kunst der Gegenwart [Remote Proximity: >Nature< in Contemporary Art]. Exh. cat. Köln: Wienand Verlag, 2009.
Clark, Suzanne. “A Long Road to weather.” The Courier Mail (October 3–4, 2009).
Daley, Linda. “Rosemary Laing: a dozen useless actions for grieving blondes.” Flash, no. 2 (2009).
French, Blair, and Daniel Palmer, “Rosemary Laing.” In Twelve Australian Photo Artists. Sydney: Piper Press, 2009. Helmrich, Michele. prostrate your horses: weather and then some; Rosemary Laing at The University of Queensland Art Museum. Brisbane: The University of Queensland Art Museum, 2009.
Les nuages . . . là-bas . . . les merveilleux nuages. Exh. cat. France: Somogy, 2009.
Manipulating Reality: How Images Redefine the World. Exh. cat. Florence: Palazzo Strozzi, 2009. Moore, Ross. “Rosemary Laing.” The Age (April 29, 2009).
Peterson, Tanya. “Dead Loss.” Art World, no. 8 (April/May 2009).
Regan, Margaret. “Disasters Deconstructed.” Tucson Weekly (April 23, 2009).
Sansom, Anna. “Rosemary Laing: a dozen useless actions for grieving blondes.” Eyemazing, no. 3 (2009).
Sasse, Julie, and Emily Handlin. Trouble in Paradise: Examining Discord between Nature and Society. Exh. cat. Tuscon: Tucson Museum of Art and Historic Block, 2009.

2008
Alexander, George. “Biennale of Sydney 2008: Revolutions–Forms That Turn.” ArtAsiaPacific, no. 59 (July/August 2008). Annear, Judy. “Photography and Place.” Broadsheet 37, no. 3 (2008).
Art & Australia (ed.). Current: Contemporary Art from Australia and New Zealand. Sydney: Dott Publishing, 2008.
Capon, Edmund (ed.). Art Gallery of New South Wales: Highlights from the Collection. Sydney: Art Gallery of New South Wales, 2008.
Christov-Bakargiev, Carolyn. Revolutions–Forms That Turn: 16th Biennale of Sydney. Exh. cat. Sydney: Biennale of Sydney, 2008.
Marx, Jonathan. “Ideas take flight in Laing’s photography.” The Tennessean (January 6, 2008).
Paparoni, Demetrio. Surreale 08: Objective Images Not Found in Nature. Exh. cat. Milan: Mimmo Scognamiglio Artecontemporanea, 2008.
Peterson, Tanya. “Hallucinations.” In to walk on a sea of salt. Exh. cat. Adelaide: Contemporary Art Centre of South Australia, 2008.
Pugliese, Joseph. “The Tutelary Architecture of Immigration Detention Prisons and the Spectacle of Necessary Suffering.” Architecture Theory Review 13, no. 2 (2008).
Teale, Penny. FX in Contemporary Photography. Exh. cat. Melbourne: McClelland Gallery and Sculpture Park, 2008. Tello, Veronica. “Monument to Memory: Woomera in Australian Contemporary Art.” Art Monthly Australia, no. 208 (2008).

2007
Bond, Anthony, and Wayne Tunnicliffe, (eds.). Contemporary: Art Gallery of New South Wales Contemporary Collection. Sydney: Art Gallery of New South Wales, 2007.
Budick, Ariella. “Harrowing Bridal Images that Peek Behind the Veil.” Newsday (June 29, 2007).
Bullock, Natasha. “Time-Memory-Place.” In Photography: Art Gallery of New South Wales Collection, edited by Judy Annear. Sydney: Art Gallery of New South Wales, 2007.
Butler, Rex. “The Art of Rosemary Laing.” Art & Australia 44, no. 4 (2007).
Coleman, Catherine. “Intervened Landscape.” In Janus. Photography’s Double Face: Works from the Permanent Collection. Exh. cat. Madrid: Museo Nacional Centro de Arte Reina Sofia, 2007.
Delmez, Katie. Rosemary Laing: Flight. Exh. cat. Nashville, Tenn.: Frist Center for the Visual Arts, 2007.
Ennis, Helen. Photography and Australia. London: Reaktion Books, 2007.
Forsyth, Graham. “Flying.” COFA Magazine, no. 19 (2007).
Gellatly, Kelly. “Pure Transit.” In Brought to Light II: Contemporary Australian Art 1996–2006, edited by Lynne Seear and Julie Ewington. Brisbane: Queensland Art Gallery, 2007.
Genocchio, Benjamin. “Rosemary Laing: weather.” New York Times (March 2, 2007).
Korotkin, Joyce. Reviews. Tema Celeste, no. 121 (May–June 2007).
Lacayo, Richard. “And a Bit More on Storr.” Time (June 8, 2007).
Meyers, William. “Transgression and Transformation.” New York Sun (August 9, 2007).
Moran, Clarice. “Recent Photography at the N.C.M.A.” The Independent Weekly (March 21, 2007).
Ohlsen, Nils. Garten Eden: Der Garten in der Kunst seit 1900. Exh. cat. Emden: Kunsthalle Emden; Köln: Dumont Buchverlag Gmbh, 2007.
Page, Beatrice, and Robert Leonard. Grey Water. Exh. cat. Brisbane: Institute of Modern Art, 2007.
Storr, Robert (ed.). Think with the Senses, Feel with the Mind: Art in the Present Tense–la Biennale di Venezia 52, Exposizione internzionale d’arte. Exh. cat. New York: Rizzoli International, 2007.
Tunnicliffe, Wayne. “You can not get past the fence.” In Think with the Senses, Feel with the Mind, vol. 3, Pages in the Wind: A Reader; Texts Chosen by the Artists of the 52nd International Art Exhibition, edited by Robert Storr. Marsilio: La Biennale di Venezia, 2007.

2006
Block, René, Barbara Heinrich, and Svetlana Petrovic (eds.). Art, Life & Confusion: 47th October Salon. Exh. cat. Belgrade: Belgrade Cultural Center, 2006.
Darwent, Charles. “Art at the Extremes.” ArtReview (June 2006).
Jocks, Heinz-Norbert. “Rosemary Laing: Insider and Outsider der Wahrnehmung.” Kunstforum International 182 (October/November 2006).
Slade, Lisa. Strange Cargo, Contemporary Art as a State of Encounter. Exh. cat. Newcastle: Newcastle Region Art Gallery, 2006.
Solomon-Godeau, Abigail. “Urolige landskaber” [The Unquiet Landscapes]. blikfang, no. 4 (2006).
Webb, Vivienne. The Unquiet Landscapes of Rosemary Laing. Exh. cat. Odense: Kunsthallen Brandts, 2006.

2005
Alexander, George. “Remembering Forwards.” ArtAsiaPacific, no. 46 (Fall 2005).
Angeloro, Dominique. “Off with their heads.” Sydney Morning Herald (Metro) (March 18, 2005).
Boecker, Susanne. “Rosemary Laing.” Kunstforum International, no. 174 (January–March 2005).
Couacaud, Sally. After Nature. Exh. cat. Booragul: Lake Macquarie City Art Gallery, 2005.
Fischer, Peter. “Rosemary Laing: Floating.” In a kind of magic: The Art of Transforming / Die Kunst des Verwandelns, edited by Peter Fisher and Brigitt Burgi. Exh. cat. Luzern: Kunstmuseum Luzern, 2005.
Fortescue, E. “Burning Desires: The Unquiet Landscapes of Rosemary Laing.” Sydney Daily Telegraph (March 2005). Goncharov, Kathleen. The Forest: Politics, Poetics and Practice. Durham, N.C.: Nasher Museum of Art / Duke University Press, 2005.
Hill, Peter. “On a High for the People.” The Age (May 28, 2005).
Kalina, R. “Down Under No More.” Art In America (April 2005).
Martin-Chew, Louise, “Rosemary Laing: A collaboration with Stephen Birch.” Art & Australia 42, no. 4 (Winter 2005). Meacham, Steve. “Diving Right in Without a Parachute.” The Sydney Morning Herald (March 17, 2005).
Meagher, David. “The Bride Stripped Bare.” Australian Financial Review Magazine (April 2005).
McFarlane, Robert. “Red Carpet Treatment, But Not for the Bride.” Sydney Morning Herald (April 5, 2005).
Palmer, Daniel. “Towards a Technocultural Aesthetic.” In A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985–2005, edited by Charlotte Day. Melbourne: Gertrude Contemporary Art Spaces, 2005.
Solomon-Godeau, Abigail, and Vivienne Webb. The Unquiet Landscapes of Rosemary Laing. Exh. cat. Sydney: Museum of Contemporary Art, 2005.
Spring, Tracey. “Rosemary Laing Story” Sunday Afternoon, ABC, 2005.
Tunnicliffe, Wayne. one dozen unnatural disasters: a collaboration with Stephen Birch. Exh. cat. Sydney: GrantPirrie Gallery, 2005.
Waltener, Shane. “Rosemary Laing: Domus Artium.” Modern Painters (February 2005).
Wise, Kit. “Living Together Is Easy.” Frieze, no. 90 (April 2005).

2004
Alexander, George. “Rosemary Laing.” In 2004 Busan Biennale: Chasm–NET. Busan: N-SIK HUR, 2004.
—. “Rosemary Laing.” In 2004 Adelaide Biennale of Australian Art: Contemporary Photo-media, edited by Penelope Curtin. Exh. cat. Adelaide: Art Gallery of South Australia, 2004.
—, and Javier Panera Cuevas. Rosemary Laing. Exh. cat. Salamanca: Domus Artium 2002, 2004.
Apparemment Léger: Semaines Européennes de L’Image (Apparently Light). Exh. cat. Dudelange: Galerie Nei Liicht, 2004. Barragan, Paco. Arquitecturas Urbanas. Exh. cat. Madrid: Centro Municipal de las Artes de Alcorcón, 2004.
C. P. “La australiana Rosemary Laing expone su obra en el DA2.” Tribuna de Salamanca (October 15, 2004).
Chillida, Alicia (ed.). Paisaje & Memoria / Landscape & Memory. Exh. cat. Madrid: La Casa Encendida, 2004.Femina. Exh. cat. Paris: Galerie Les Filles du Calvaire, 2004.
Fitzgerald, Michael. “Not dying, changing.” Time Pacific Magazine (March 22, 2004).
Green, Charles (ed.). 2004: Australian Culture Now. Exh. cat. Melbourne: National Gallery of Victoria, 2004.
Mizuki, Takahashi, and Ericko Osaka. (eds.), Living Together is Easy. Exh. cat. Tokyo: Contemporary Art Centre, Art Tower Mito, 2004.
Pulido, Natividad. “Un Genero revisado con neuvos lenguajes.” Guia De Madrid ABC (April 22, 2004).
Rees, Simon. “At the Galleries: Sydney – Rosemary Laing at Gitte Weise Gallery.” Flash Art 37, no. 234 (January–February 2004).
Sánchez, C. “La obra de Rosemary Laing reinventa el paisaje australiano.” el Periódico el Adelanto de Salamanca (October 22, 2004).
Solomon-Godeau, Abigail. “The Unquiet Landscapes of Rosemary Laing.” Aperture, no. 175 (Summer 2004).

2003
Alexander, George. “groundspeed.” Monografias: Room, no. 2/3 (2003).
—. “Rosemary Laing.” In Face Up: Contemporary Art from Australia, edited by Britta Schmitz. Exh. cat. Berlin: Hatje Cantz Verlag and Autoren, 2003.
—, Graham Forsyth, Blair French, and Annemarie Jonson. Rosemary Laing: A Survey, 1995–2002. Exh. cat. Sydney: Gitte Weise Gallery; Brisbane: Brisbane City Gallery, 2003.
Boriani, G. “arts australia berlin 03.” Tema Celeste, no. 100 (November–December 2003).
Dannatt, Adrian. “Rosemary Laing: bulletproofglass.” Art Newspaper, no.132 (January 2003).
Dougherty, Linda Johnson, and Huston Paschal. Defying Gravity: Contemporary Art and Flight. Exh. cat. Raleigh, N.C.: North Carolina Museum of Art; New York: Prestel, 2003.
Eggebert, Anne, and Polly Gould (eds.). Nature and Nation: Vaster than Empires. Exh. cat. Hastings: Hastings Museum and
Art Gallery, 2003.
Hagedorn, Ingeborg. “Australischer Kunstmonat Oktober in Berlin.” Blattgold (October 2003).
Hoeps, Reinhard, Alois Kölbl, Eleonora Louis, and Johannes Rauchenberger, Himmelschwer. Transformationen der Schwerkraft. Exh. cat. Munich: Wilhelm Fink Verlag, 2003.
Imdahl, Georg. “Auf der Fährte der Malerie trifft man auch shon mal den Computer.” Frankfurter Allgemeine Zeitung (March 1, 2003).
Jocks, Heinz-Norbert. “Etwas anderes als die Realitat.” Süddeutsche Zeitung (February 19, 2003).
Johnson, Ken. “Rosemary Laing.” New York Times (January 3, 2003).
Louis, Eleonora. “Fri af tyngden.” In Himmel Falden. Exh. cat. Odense: Kunsthallen Brandts Klædefabrik, 2003.
Mackenzie, Janet. “Face Up.” Studio International (December 2003). http://www.studio- international.co.uk/reports/face_up.asp.
Martin-Chew, Louise. “Rosemary Laing and Jay Younger.” Art and Australia 41, no. 1 (Spring 2003).
—. “Suspended in Uncertain Skies.” Weekend Australian (February 8–9, 2003).
Meister, Helga. “Performance für die Kamera.” Westdeutsche Zeitung (March 3, 2003).
Murphie, Andrew, and John Potts. Culture and Technology. New York: Palgrave Macmillan, 2003.
Palazzoli, Daniela, Pinacoteca Giovanni, and Marella Agnelli al Lingotto (eds.). L’attimo fuggente fra fotografia e cinema. Exh. cat. Milan: Bompiani, 2003.
Stanhope, Zara. Hothouse: The Flower in Contemporary Art. Exh. cat. Melbourne: Monash University Museum of Art, 2003. Trappschuh, Elke. “Auszug, Umzug, Aufbruch.” Handelsblatt (March 8, 2003).

2002
Alexander, George. bulletproofglass. Exh. cat. Sydney: Gitte Weise Gallery, 2002.
Barragán, Paco. “The Art to Come.” Madrid: Subastas Siglo, no. 11 (2002).
Giardino, Ariel. “Rosemary Laing.” H., no. 37 (October 2002).
Foster, Alasdair. “Rosemary Laing.” In Blink, edited by Antonia Carver. London: Phaidon, 2002.
Hart, Deborah. “Rosemary Laing: flight research.” In Tales of the Unexpected, edited by Alistair McGhie. Exh. cat. Canberra: National Gallery of Australia, 2002.
—. “Tales of the Unexpected.” artonview, no. 30 (Winter 2002).
Johnson, Ken. “Rosemary Laing: bulletproofglass.” New York Times (December 27, 2002).
Kaufman, Jason Edward. “Fair Report: ARCO, Madrid–International Trade Show or Cultural Festival?” Art Newspaper: International Edition 13, no. 123 (March 2002).
Koo, J. “Rosemary Laing.” Monthly Photographic Art Magazine, Sajinyesul, no. 164 (December 2002).
Marsh, Anne. “Rosemary Laing.” In Monash University Collection: Four Decades of Collecting, edited by Jenepher Duncan and Linda Michael. Melbourne: Monash University Museum of Art, 2002.
Meagher, David. “Take Off.” Art Market. Australian Financial Review Magazine (August 2002).
Nigrosh, Leon. “Staged; Contemporary Photography at WAM.” Worcester Magazine (January 10, 2002).
O’Hehir, Anne. “Art Now 1900–2002.” In Australian Art in the National Gallery of Australia, edited by Anne Gray. Canberra: National Gallery of Australia, 2002.
Temin, Christine. “In ‘Staged,’ Photographers Make the Scene.” Boston Globe (January 2, 2002).
Smith, Roberta. “The Armory Show, Grown Up and in Love With Color.” New York Times (February 22, 2002).
Wimmer, Elga. Sahte / Gerçek (Faux / Real). Exh. cat. Istanbul: Borusan Art Gallery, 2002.

2001
Alexander, George. groundspeed. Exh. cat. Sydney: Gitte Weise Gallery, 2001.
—. “Post Natural Nature: Rosemary Laing.” Artlink 21, no. 4 (2001).
Duckett, Richard. “Deliberate Images.” Time Out: Worcester Telegram & Gazette (Worcester, Mass.; December 20, 2001). Feinstein, Roni. “Art and Sport Down Under.” Art in America, no. 5 (May 2001).
Hill, Peter. “Reviews: Rosemary Laing – groundspeed.” Eyeline, no. 47 (Summer 2001/2002).
James, Bruce. “Soaring Laing Hears Call of the Wild.” Sydney Morning Herald (Metropolitan) (October 10, 2001).
Martin, Melinda. “The Advantages of Being a Woman Artist.” Photofile, no. 64 (December 2001).
Stoops, Susan L. Staged!: Contemporary Photography by Gregory Crewdson, Rosemary Laing and Sharon Lockhart. Exh. cat. Worcester, Mass.: Worcester Art Museum, 2001.

2000
Barragan, Paco. “Down Under: 15 fotografos australianos.” Lapiz (July 2000).
—. “Ulttimas maniobras del arte austrliano.” ABC Cultural (September 16, 2000).
—. “Visiones urbanas: Michael Raedecker, Rosemary Laing, Paul Nobl, Aitor Ortiz.” Subastas Siglo 21, no. 12 (2000). Brezovecki-Bidin, Iva. “Socijalna Sezibilnost I Eticki Angazman.” Vijenac (2000).
Fitzgerald, Michael. “Suspension of Disbelief.” Time Magazine (June 12, 2000).
Forsyth, Graham. “Gradience.” Art Monthly Online, 2000.
French, Blair. “Rosemary Laing.” In Mjesto Na Kojem Nisam Bio / A Place I’ve Never Been To, edited by Tihomir Milovac. Exh. cat. Zagreb: Croatian Photographic Union, Zagreb, 2000.
Heckmann, Stefanie. “Biennalen der Welt, vernetzt Euch!” Berliner Zeitung (2000).
Hynes, Victoria. “Quiet Achievers.” Art and Australia 37, no. 4 (2000).
James, Bruce. “Arts Today.” ABC Radio National (transcript) (June 1, 2000).
Kent, Rachel. Sporting Life. Exh. cat. Sydney: Museum of Contemporary Art, 2000.
Kis, Patricia. “Vrhunac sezone u Paviljonu.” Cetvrtak (September 21, 2000).
Lynn, Victoria. gradience. Exh. cat. Sydney: Australian Centre for Photography, 2000.
Michael, Linda. “Rosemary Laing.” In Das Lied von der Erde / The Song of the Earth. Exh. cat. Kassel: Museum Fridericianum, 2000.
Murphy, Bernice. Zeitgenössische Fotokunst aus Australien [Contemporary Photographic Art from Australia]. Exh. cat. Berlin: Neuer Berliner Kunstverein (NBK); Heidelberg: Edition Braus, 2000.
Muster, Anna. Body Language: Art, Sport and the Cyber Conversation. Exh. cat. Sydney: Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, 2000.
Peterson, Tanya. “Rosemary Laing.” Artlink 20, no. 3 (2000).
Snell, Ted. “Surprise and Engagement.” Art and Australia 38, no. 1 (2000).
Sorrento, Aureliana. “Schatten an der Wäscheleine.” Der Tagesspiegel, Berlin (2000).
Unattributed author, “Letzte Handgriffe für: Das Lied von der Erde.” Hessische Niedersachsische Allgemeine (2000). Unattributed author, “Das Lied von der Erde.” DPict Magazine, no. 2 (June/July 2000).

1999
Clabburn, Anna. Natural Disasters / Disasters Unnatural. Exh. cat. Melbourne: Monash University Gallery, 1999.
French, Blair. “Rosemary Laing.” In Contempora 5. Exh. cat. Melbourne: National Gallery of Victoria, 1999.
Kahn, Douglas. “High Speed Nature: Rosemary Laing.” In Photo Files: an Australian Photography Reader, edited by Blair French. Sydney: Power Foundation and Australian Centre for Photography, 1999.
King, Natalie. aero-zone. Exh. cat. Osaka: The National Museum of Osaka, 1999.
Kingwell, Mark. “Playing in the Digital Garden: Getting Inside by going Outside.” Descant, no. 105 (1999).
Nelson, Robert. “Flights of Fancy for Some.” The Age (September 1, 1999).
Rooney, Robert. “Calm Tribute to a Topsy-turvy World.” The Australian (June 25, 1999).
Williamson, Clare. “Digitalis Australis: The Recent Hybrid in Australian Photography.” History of Photography (Australia issue) 23, no. 2 (Summer 1999).

1998
French, Blair. brownwork: Rosemary Laing. Exh. cat. Sydney: Annandale Galleries, 1998.
Jonson, Annemarie. “Rosemary Laing/Stall Fall.” Art & Text, no. 63 (November 1998–January 1999). Michael, Linda. Seppelt Contemporary Art Awards. Exh. cat. Sydney: Museum of Contemporary Art, 1998.

1997
Marsh, Anne. “Rebecca Cummins and Rosemary Laing: Envisioned.” Eyeline, no. 35 (Summer 1997/1998).
Millner, Jacqueline. “Beyond the Sublime 2.” Art & Text, no. 56 (February–April 1997).
—. “Rosemary Laing: Pure Transit.” Globe, no. 6 (1997). http://www.artdes.monash.edu.au/non-cms/globe/issue6/rltxt.html. Stanhope, Zara. Envisioned. Exh. cat. Melbourne: Monash University Gallery, Monash University, 1997.

1996
Bachrach, Sanja (ed.). Koncept: International exhibition of Contemporary Photography. Exh. cat. Zagreb: Hrvatski Fotosavez, 1996.
Dault, Gary Michael. “Cybernetic Horticulture.” The Globe and Mail, (Toronto; October 26, 1996).
Dompierre, Louise. Digital Garden: A World in Mutation. Exh. cat. Toronto: The Power Plant Contemporary Art Gallery, 1996. Fortesque, Elizabeth. “The Great Art Debate.” Daily Telegraph (November 2, 1996).
Jonson, Annemarie. Next Wave: Art & Technology. Exh. cat. Fitzroy: Next Wave Festival Inc., 1996.
Kent, Rachel. Alternative Realities. Exh. cat. Parkville: University of Melbourne Museum of Art and The Asialink Centre Pacific, 1996.
McDonald, John. “Pictures of Banality.” Sydney Morning Herald (Spectrum) (August 31, 1996).
McDonald-Crowley, Amanda. “Electronic Art in Australia: Do We Have Critical Mass?” ArtLink 16, no. 2/3 (1996).
Michael, Linda (ed.). Photography Is Dead! Long Live Photography!. Exh. cat. Sydney: Museum of Contemporary Art, 1996. Morgan, Margaret. “Photography Is Dead! Long Live Photography!.” Art & Text, no. 55 (October 1996).
Newton, Gael. “View of the New.” artonview — Australian National Gallery, Canberra, no. 5 (Autumn, 1996).

1995
Jonson, Annemarie. greenwork. Exh. cat. Sydney: Annandale Galleries, 1995.
Khan, Douglas. “High Speed Nature: Rosemary Laing.” Photofile, no. 45 (August 1995).
Vogel, Sabine (ed.). New Orientation: The Vision of Art in a Paradoxical World; 4th Istanbul Biennial. Exh. cat. Istanbul: Istanbul Foundation for Culture & Arts, 1995.

1994
Coulter-Smith, Graham. “Exploring the Technological Other: Robyn Stacey & Rosemary Laing.” Continuum: Electronic Arts in Australia 8, no. 1 (1994).
Forsyth, Graham. “Australian Perspecta: 1993.” Art & Text, no. 47 (January 1994).

1993
Jonson, Annemarie. “Rosemary Laing: Blow Out.” Agenda, no. 34 (1993).
Lumby, Catharine. “Rosemary Laing.” In Australian Perspecta 1993, edited by Victoria Lynn. Exh. cat. Sydney: Art Gallery of New South Wales, 1993.

1992
Adams, Jude. “Something Borrowed Nothing Blue Some Old Nothing New.” Artlink 12, no. 2 (1992).
Anderson, Peter. “Rosemary Laing.” Art & Text, no. 42 (May 1992).
Davidson, Christina. “Rosemary Laing.” In Strangers in Paradise: Contemporary Australian Art to Korea, edited by Victoria Lynn. Exh. cat. Seoul: National Museum of Contemporary Art, Korea, 1992.
—. Travels in Paradise. Exh. cat. Brisbane: Queensland Art Gallery, 1992.
Fenner, Fecility. “Erotica Blooms.” Sydney Morning Herald (August 13, 1992).
Jackson, Beth. “essence and difference issues: arising from…but never by chance…” Eyeline, no. 20 (Summer 1992). Pierce, Julianne. “Another Side of Eroticism.” Broadsheet 21, no. 2 (June 1992).
Walker, Linda Marie (ed.). …but never by chance…(eroticism). Exh. cat. Adelaide: Experimental Art Foundation, 1992. Zurbrugg, Nicholas. “Travels in Paradise.” Photofile, no. 36 (August 1992).

1991
Hutchings, Peter. “Not Far from Roses.” from Paradise work. Exh. cat. Melbourne: 200 Gertrude Street; Adelaide: Experimental Art Foundation, 1991.
Steffensen, Jyanni. “Rosemary Laing, from Paradise work.” Broadsheet 20, no. 3 (1991).

1990
Butler, Rex. “A Love That Cannot Speak its Name.” Agenda, no. 15 (December 1990). Colless, Edward. “That’s Amore.” In Amore. Exh. cat. Sydney: Artspace, 1990.
Coulter-Smith, Graham. Real Art. Exh. cat. Brisbane: Institute of Modern Art, 1990.
Lumby, Catharine. “Dino Puts His Finger on It.” Sydney Morning Herald (November 23, 1990). —. “Rosemary Laing: Natural Disasters.” Eyeline no. 11 (Autumn 1990).

1988
Butler, Rex. Natural Disasters. Exh. cat. Sydney: Artspace, 1988

PUBLIC COLLECTIONS
Albury Regional Gallery, New South Wales
Allentown Art Museum, Pennsylvania
ARCO Foundation, MadridArtbank, SydneyArt Gallery of New South Wales, SydneyArt Gallery of South Australia, AdelaideArt Gallery of Western Australia, Perth
AXA Collection, Luxembourg
The Art Institute of Chicago, ChicagoArt Museum of Western Virginia, Roanoke, VirginiaBendigo Art Gallery, Victoria Buschlen Mowatt Foundation, Vancouver Carmignac Foundation, Paris
Castile-León Museum of Contemporary Art, Spain
Chun Kwang Young Foundation
Domus Artium 2002, Salamanca, Spain
DZ Bank Collection, Frankfurt
E.ON Collection, Dusseldorf
Fidelity Investments, Boston
Fonds National d’Art Contemporain, FNAC Puteaux, France Foundation Belgacom, BrusselsGippsland Art Gallery, VictoriaGriffith University Collection, Brisbane’Town of Photography’ Higashikawa Collection, Hokkaido, Japan
Harvard Art Museum, Cambridge, MassachusettsKunstmuseum Luzern, Lucerne
Kunstwerk Collection, Peter & Alison Klein, Eberdingen, Nussdorf
Lyon Housemuseum, Melbourne
McClelland Gallery and Sculpture Park, Langwarrin, VictoriaModern Art Museum of Fort Worth, Texas Monash Gallery of Art, Wheelers Hill, VictoriaMonash University Museum of Art, Caulfield East, Victoria
Murdoch University Art Collection, Perth
Museo de Arte Contemporáneo de Castilla y León, León, SpainMuseo Nacional Centro De Arte Reina Sofia, MadridMuseum of Contemporary Art, SydneyNational Gallery of Australia, CanberraNational Gallery of Victoria, MelbourneNational Museum of Women in the Arts, Washington, D.C.Nevada Museum of Art, Reno
Newcastle Regional Art Gallery, New South WalesNorth Carolina Museum of Art, RaleighNorton Family Foundation, Santa MonicaParliament House Art Collection, Canberra Queensland Art Gallery, Brisbane21st Century Museum of Contemporary Art, Kanazawa, Japan
Swiss Re, Zurich
Taubman Museum of Art, Virginia
Toledo Museum of Art, Ohio UBS Art Collection, New York
The University of Queensland Art Museum, BrisbaneUniversity of Canberra Collection, CanberraUniversity of Technology Collection, SydneyWadsworth Atheneum Museum of Art, Hartford, ConnecticutWilliam Benton Museum of Art, University of Connecticut, Storrs
Wollongong Art Gallery, New South Wales